Tag: Jazz
Over the last several year’s Dynamite Cuts, run by Malachi Trout, has been issuing an impressive string of seven-inch singles highlighting essential jazz, funk, and rare groove. Most recently, the London-based label has put out a brilliant new 45rpm release featuring two classic jazz dance gems “It’s Over” and “Love Signs” from Nanette Natal’s 1980 private press full-length My Song of Something.
UK’s Mr Bongo label continues their impressive string of releases with a recent reissue of the highly-obscure 1972 seven-inch double-side single from South African session group The Toreadors, featuring two incredible funky soul jazz gems, “Thembi” and “Gwinyitshe”.
Renowned bassist Pino Palladino, who helped create the rhythm-section sound on D’Angelo’s neo-soul classic albums Voodoo and Black Messiah, as well as performing over the years with Erykah Badu, Nine Inch Nails, Paul Simon, Jeff Beck, Herbie Hancock and numerous others, teams up with prolific multi-instrumentalist and producer Blake Mills to release an amazing and highly innovative new album, titled Notes With Attachments.
Los Angeles-based composer, producer, multi-instrumentalist, visionary, and one of the two people behind the Jazz Is Dead label and series, Adrian Younge, has released a powerful new groundbreaking album, titled The American Negro, which unapologetically calls out historic racism and white supremacy, and the ongoing trauma it’s caused on Black people in the United States.
With much anticipation, London’s BBE Music releases the third volume of it’s phenomenal J Jazz compilation series, continuing to shed light on some of the most incredible and obscure modern Japanese jazz recordings from the 1960s through the 1980s. Since issuing the first volume in 2018 and the follow-up in 2019, plus a number of essential album reissues, there has not been a more comprehensive and impressive output of releases dedicated to this region’s historic jazz scene.
With so much great music being released these days from all corners of the globe, I find that there are always a number of incredible recordings that are not on my radar and might miss upon their initial release. That is certainly the case with the debut album Dreams Fulfilled from Glasgow’s Nimbus Sextet.
For the tenth JAZZ45 release, in what has become an incredible 7inch series by London’s Jazzman Records, the label features the first single from Tel-Aviv, Israel based composer and bassist Shay Hazan and his quintet.
Nineteen years since the release of their debut twelve-inch single New Standards, Nicola Conte and Gianluca Petrella team up again following a string of recent singles over the past few years with a brilliant new full-length album on Schema Records, titled People Need People.
New York-based Frederiksberg Records has recently reissued officially for the first time the highly-obscure 1975 self-titled debut album by the South African jazz ensemble Roots, led by master saxophonist and one of the greatest musicians to ever come out of Johannesburg, Barney Rachabane.
UK saxophonist Tony Burkill and his large ensemble Work, Money, Death, whom was also featured on his 2017 debut, have recently released an incredible spiritual jazz recording inspired by the likes of Pharoah Sanders and Alice Coltrane, titled The Space In Which The Uncontrollable Unknown Resides, Can Be The Place From Which Creation Arises (got that?!?!).
Following the well-crafted reissue of Wendell Harrison and The Tribe’s Farewell To The Welfare 45rpm, London’s Clap City Records has recently dived back into the vaults of Detroit’s legendary Tribe Records and reissued keyboardist David Durrah’s highly obscure 1975 7-inch single Venus Fly Trap.
South Africa has historically had strong jazz roots, even through the horrific apartheid regime. Pioneering artists like Hugh Masekela, Abdullah Ibrahim, Johnny Dyani, Dudu Pukwana, Chris McGregor, Mongezi Feza, Ndikho Xaba, and so many others in the region consisted of some of the most adventurous jazz musicians of their era. Following the release of two groundbreaking compilations in We Out Here and Sunny Side Up that explored the current thriving scenes in London and Melbourne, Gilles Peterson’s Brownswood label has just released a brand new compilation exploring the current wave of forward-thinking jazz artists coming out of Johannesburg.
As a follow-up to last year’s absolutely brilliant Active Imagination release on 22a, London composer, trumpeter, and member of the Ruby Rushton quartet, Nick Walters returns with superb new recording, titled Implicate Order, featuring his expansive 11-piece group The Paradox Ensemble.
