Tag: Jazz
One of the last year’s best albums, and a recording that really captured the emotion of 2020 well, was New York harpist Brandee Younger and bassist Dezron Douglas Force Majeure. Following this beautifully homemade session (recorded in the couple’s apartment), Younger steps out on her own to release a brilliant full-length on Impulse!, titled Somewhere Different.
London’s Strut Records continues it’s superb series diving deep into the vaults of Jimmy Gray’s now considered legendary Richmond, Virginia based label Black Fire Records with another highly in-demand reissue of Southern Energy Ensemble’s 1977 masterpiece Southern Energy.
Decca has recently released an incredible new compilation featuring selections from some of the greatest and most sought-after British jazz recordings from the sixties and seventies, titled Journeys In Modern Jazz: Britain. This represents a time where the UK jazz scene was really finding it’s own sound with it’s own “home grown” British musicians and the support of labels like Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, Philips and others.
Following up on 2019’s standout debut full-length Scheming, the outstanding Bristol quartet known as The Jazz Defenders returns with a brilliant new 7inch release on the UK-based Haggis Records, featuring two superb dancefloor jazz selections.
Once described as “the Quincy Jones of Catford” by Rolling Stone magazine, South London composer, arranger, and trombonist Nathaniel Cross has become a prominent musician among today’s UK jazz scene, performing and recording with artists like Moses Boyd, Solange, Zara McFarlane, Kano, David Murray, LCSM, Swindle, Sons of Kemet, and many others. Stepping out on his own, he has just released a superb debut EP on First World Records, titled The Description Is Not The Described.
Paul Murphy’s Jazz Room Records continues it’s string of incredible “must-own” releases with a brand new 7inch single, titled The Electric Jazz Room EP, revisiting two essential selections that made their mark at the underground jazz dance nights like Shiftless Shuffle, The Horseshoe, Electric Ballroom, and others in London.
Over the last several years, London-based trombonist Rosie Turton has continued to make her mark as one of the prominent musicians and composers among the thriving UK jazz scene. In 2019, she released her superb debut EP Rosie’s 5ive via the Jazz re:freshed label, followed by a couple of outstanding recordings with the incredible 7-piece Nérija ensemble. She returns with a brilliant new self-released cosmic jazz release, titled Expansions and Transformations: Part I & II.
UK-based label WallenBink has launched a fantastic series called Black Forest 45, focusing on reissuing remastered essential 60s and 70s era jazz selections from the vaults of legendary German label SABA/MPS, in a new never-released-before 7inch format.
London’s Jazz Room Records, run by iconic London DJ Paul Murphy, continues it’s string of essential releases with a recent limited-edition reissue of Shamek Farrah And Folks‘ nearly impossible-to-find 1978 funky spiritual jazz album La Dee La La, featuring trumpet great Malachi Thompson of Chicago’s influential collective AACM.
Over the last several years, Poland has produced some of today’s most forward-thinking and innovative jazz artists and ensembles like EABS, Wojtek Mazolewski, Piotr Damasiewicz, and Bloto to just name a few. We can now add the Wrocław-based Sneaky Jesus to that last list, as the Polish quintet has just released a superb debut album, titled For Joseph Riddle on the South London label Shapes Of Rhythm.
The innovative London-based trio, featuring bassist and founding member of Ill Considered Leon Brichard, saxophonist Idris Rahman (Soothsayers), and drummer Tom Skinner (Sons of Kemet), have followed up last year’s outstanding album Season 2, with a brilliant new four-track EP, titled Better Times. This also marks the debut release on notable London-based Portuguese DJ Mafalda Daniel‘s new label Tropic of Love Music.
As we move into the warmer months of summer, it’s great to see that many of the record shops that were either closed for over a year and/or only doing online sales are finally opening up again. In my opinion, it doesn’t get much better than a Saturday trip (or any day really) to the local record shop(s). Somewhat similar to last year, this year’s typical annual Record Store Day has been broken up into not just one, but two Saturdays (or what is being referred to as “Drop 1” & “Drop 2”) on June 12th and July 17th.
One can make the argument, that the term “Holy Grail” is sometimes used a bit too loosely, however that certainly isn’t the case when applied to Ron Everett’s 1977 obscure soul jazz masterpiece Glitter Of The City. Originally self-released in 1977 on a shoestring budget, UK’s Jazzman Records has recently reissued the essential recording as a part of it’s ongoing superb Jazzman Holy Grail series.
