Tag: Reissue
New York’s superb Frederiksberg Records has recently reissued the highly obscure 1978 self-titled album from the pioneering South African-based jazz-fusion group, Spirits Rejoice.
This Saturday, April 20th is Record Store Day 2024. I believe this international record store celebratory day has reverted back to just one day annually, which to me makes the most sense. Over the last several years, this has become the prime day in which many labels release limited-edition or never-before-released vinyl albums, singles, compilations and reissues. Sometimes it feels more like “record label day” or “new vinyl collectables day”, given how it’s evolved. While the day usually attracts many hardcore collectors, shops also often see a large influx of casual music fans and even a few that might be buying their first record. Regardless, these are all great things.
Mad About Records is back at it, in what has already been a very active year for the Portugal-based label, with a welcomed official reissue release of the extremely obscure 1981 jazz-funk album from a Connecticut-based quintet called Quintessence.
Portugal’s Mad About Records, which has been releasing some of the rarest jazz, funk, Latin and Brazilian records over the last few years, has recently released a double-sided 7inch single featuring two massive dancefloor scorchers.
The French label Transversales Disques continues its string of brilliant live ORTF recordings captured at Grand Auditorium’s Studio 104 in Paris’ Maison de la Radio (aka the headquarters of Radio France) with an early 70s session from legendary jazz multi-instrumentalist Rahsaan Roland Kirk. This is the latest in a growing series that has included jazz greats Pharoah Sanders, Archie Shepp, Don Cherry, and Ahmad Jamal.
Under the guidance and direction from London-based DJ, radio broadcaster, and music producer Gilles Peterson, his reissue-focused label Arc Records has recently been diving deep into the Atlantic jazz archives, re-releasing mono versions of Max Roach’s 1968 of Members, Don’t Git Weary and Yusef Lateef’s 1969 Yusef Lateef’s Detroit Latitude 42° 30′ Longitude 83°. With the labels latest release of the series, they unearth a collection of tracks recorded by Roberta Flack in the sessions leading up to the recording of her seminal 1969 debut album First Take.
Before we look ahead to this year’s forthcoming releases, let’s take a look back at another superb reissue from this past Fall from the Italian-based label Eating Standing in vibraphonist Enzo Randisi’s 1979 highly obscured self-titled album.
As with new music releases, 2023 was an outstanding year for reissues and previously unreleased recordings. It feels like with every great new release or artists that breaks through on the scene, there are still so many records from the past to still discover and dive into as a listener. The quality of the actual reissue releases themselves also seems to improve in time. The care and work that goes into many of these releases is astonishing and handled like the artifacts that they truly are.
For over the past 30 years, the Brighton-based record shop and label Mr Bongo have been at the forefront of reissuing rare Brazilian gems from the past, from their Brazil 45 series to full-length albums, notably Arthur Verocai’s 1972 self-titled “holy grail”. Over the last month, they have recently added two more must-own releases to the list in Minas‘ 1983 private press bossa nova recording Num Dia Azul, and Mário Castro Neves and his group, Samba S. A.‘s 1967 breezy samba self-titled classic.
On September 24, 2022, the entire jazz world and beyond mourned the passing of the late great Pharoah Sanders, who was one of the most influential and groundbreaking artists of our time. Almost a year later, in what has become one of the most highly anticipated reissues of 2023, Luaka Bop has re-released an expanded edition of Pharoah Sanders’ classic 1977 album Pharoah.
