Record Shopping Etiquette
The do’s, the don’ts, and best practices when it comes to shopping for vinyl.
Youthful virtuosic cosmic drum-keyboard duo DOMi and JD Beck have quickly been one of the most talked about acts this summer, releasing a great new debut album titled NOT TiGHT on Anderson .Paak’s new Apeshit Inc. label, that’s been set-up in partnership of Blue Note Records. This follows four-night sold-out residency this June at the Blue Note Jazz Festival in New York City, and numerous standout performances among the summer’s festival circuit.
Following the release of two outstanding EPs from last year, Ah-Free-Ka and Ja-Maye-Ka, Marc Mac, who is half of the groundbreaking broken beat duo 4hero, continues his exploration into sounds from around the world with a superb new EP, titled Br-Azil-Ah.
Following the release of Brian Jackson’s first solo album in 20 years on BBE Music, simply titled This Is Brian Jackson, the legendary jazz-funk multi-instrumentalist and songwriter gets the remix treatment from two of today’s best producers in Louie Vega and Josh Milan(aka Two Soul Fusion) on the track’s superb second single “Little Orphan Boy”.
With each incredible release, Paul Murphy’s Jazz Room Records has quickly become the source for essential jazz dancefloor reissues. The London-based label has most recently put out a welcomed reissue of the extremely obscure 1977 private-press jazz-funk album from South Florida trio Jazzberry Patch, featuring the late great Mike Longo as a special guest on Fender Rhodes.
Los Angeles-based composer, producer, and pianist John Carroll Kirby teams up with Canadian producer, composer, DJ and sound artist Yu Su (Ninja Tune) on an incredible new cosmic groove-oriented album on the Stones Throw label, titled Dance Ancestral.
Following the release of both their breakthrough 2019 self-titled debut EP, and last year’s standout double A-side 12″ single Baba Ayoola / Carry Me Home, the London 8-piece collective Kokoroko, led by trumpeter and vocalist Sheila Maurice-Grey, returns with their highly-anticipated full length album on Gilles Peterson’s Brownswood Recordings, titled Could We Be More.
The city of Rio de Janeiro has a long well-documented history of producing some of the greatest Brazilian artists from the past century including legends like Marcos Valle, Arthur Verocai, Azymuth, Sérgio Mendes, Antônio Carlos Jobim, Jorge Ben Jor, Tim Maia, Joyce Moreno and countless others. Over the past decade, the region has had a strong resurgence of new artists presenting a more left-field take on bossa nova, samba, jazz and funk. The Sounds and Colours label celebrates these groundbreaking artists on a recently released compilation, titled Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro.
Legendary Belfast-based producer and multi-instrumentalist Kaidi Tatham, who has been a pioneer among both the Broken Beat and UK jazz scenes for decades, returns for his fourth solo album under his own name, titled Don’t Rush The Process.
It’s safe to say that if we’ve learned anything over the last decade when it comes to Greg Foat, who has established himself as one of the most forward-thinking composers and pianists, is that you can “box him in” musically. It seems like each release has it’s own concept or identity, and that is certainly the case on his latest solo effort, titled Photosynthesis, which trades in jazz-funk grooves for meditative soundscapes.
South London-based composer, producer, multi-instrumentalist and virtuosic pianist DoomCannon, who first jumped onto the scene with the group Triforce (featured on the We Out Here compilation and Jazz Re:freshed release TriForce 5ive EP), has recently released his much-anticipated debut album, titled Renaissance, on Gilles Peterson’s label Brownswood Recordings.