Tag: Jazz
Over the last several years, Nimbus West, who released some of the greatest recordings to come out of the spiritual Jazz scene in Los Angeles during the late 70s and early 80s has been diving deep back into it’s vaults and unearthing a number of incredible sessions. Most recently, they have issued saxophonist Billie Harris‘ masterful 1980 album I Want Some Water on vinyl for the first time.
Over the last couple of years, the Chicago-based collective Black Monument Ensemble, led by visual/sound artist, and producer Damon Locks have released some of the most powerful and forward-thinking music. Their 2019 debut, Where Future Unfolds was arguably the best album to come out that year, and last year, the group put out the timely and very much needed uplifting track “Stay Beautiful”. Locks and the stellar ensemble have returned to release an absolutely brilliant new sophomore record on International Anthem, titled NOW.
Following the breakthrough success of last year’s album Ignite, the London-based cosmic jazz ensemble The Sultan’s Swing return with a masterful new follow-up recording in Matter Of Urgency on Lazy Robot Records.
For the latest release in the absolutely brilliant Jazz Is Dead series, Los Angeles based producers/multi-instrumentalists Adrian Younge and Ali Shaheed Muhammad have joined forces with legendary saxophonist and composer Gary Bartz on an incredible new full-length album.
Every year, there are a number of remarkable releases that weren’t originally on most people’s radar, and that is certainly the case with Los Angeles-based composer and pianist Matthew “Honeybee” Little’s superb debut album Liner Notes on San Diego’s Common Good Records. Over the last several years, Little has been making his mark among the LA jazz scene, playing with like-minded exploratory artists like Josef Leimberg, Shafiq Husayn, Jason McGuiness, and others.
In what might be the most-anticipated album of the year, New York label Luaka Bop has released an absolute stunning new collaborative album, titled Promises, featuring legendary saxophonist Pharoah Sanders, groundbreaking electronic producer Sam Shepard, also know as Floating Points, and one of the greatest symphonies in the world, in The London Symphony Orchestra.
Over the last several year’s Dynamite Cuts, run by Malachi Trout, has been issuing an impressive string of seven-inch singles highlighting essential jazz, funk, and rare groove. Most recently, the London-based label has put out a brilliant new 45rpm release featuring two classic jazz dance gems “It’s Over” and “Love Signs” from Nanette Natal’s 1980 private press full-length My Song of Something.
UK’s Mr Bongo label continues their impressive string of releases with a recent reissue of the highly-obscure 1972 seven-inch double-side single from South African session group The Toreadors, featuring two incredible funky soul jazz gems, “Thembi” and “Gwinyitshe”.
Renowned bassist Pino Palladino, who helped create the rhythm-section sound on D’Angelo’s neo-soul classic albums Voodoo and Black Messiah, as well as performing over the years with Erykah Badu, Nine Inch Nails, Paul Simon, Jeff Beck, Herbie Hancock and numerous others, teams up with prolific multi-instrumentalist and producer Blake Mills to release an amazing and highly innovative new album, titled Notes With Attachments.
Los Angeles-based composer, producer, multi-instrumentalist, visionary, and one of the two people behind the Jazz Is Dead label and series, Adrian Younge, has released a powerful new groundbreaking album, titled The American Negro, which unapologetically calls out historic racism and white supremacy, and the ongoing trauma it’s caused on Black people in the United States.
