Record Shopping Etiquette
The do’s, the don’ts, and best practices when it comes to shopping for vinyl.
Continuing the streak of putting out must-own releases, Paul Murphy and his label Jazz Room Records are reissuing Carlos Franzetti’s hard-to-find jazz dance classic album Graffiti, which was originally released on Guinness Records (not related to the drink) in 1977.
Back in 2017 for Record Store Day, Mr Bongo put out an official reissue of Arthur Verocai’s 1972 “holy grail” masterpiece. Since then, the UK-based label has reissued the album a number of times. Now celebrating it’s 50th Anniversary, Mr Bongo has put together an expansive special edition package commemorating it’s initial release.
Within about a month’s span, both UK labels We Are Busy Bodies and Be With Records are reissuing (or have reissued) two hard-to-find mid-seventies albums from Nucleus, which was an incredible British progressive jazz-fusion group led by legendary trumpeter Ian Carr that existed in different forms from 1969 all the way through to 1989. Both labels will be putting out the bands 1974 Under The Sun recording, as well as the group’s brilliant 1975 release, Alleycat.
London’s Trunk Records has recently reissued the extremely rare 1978 British jazz fusion self-titled album from Magician, which at the time of it’s release only sold a few copies (rumor has the number around 10).
The Diplomats Of Soul, which is a London-based label (distributed by Expansion Records) run by acclaimed DJs and diggers Mike Allin and Ralph Tee, have recently reissued drummer and vocalist Grady Tate’s very obscure and highly sought-after 1974 soul jazz rendition of Jon Lucien’s “Lady Love”.
Jazz Is Dead’s brilliant series continues with multi-instrumentalists, composers, producers, and JID masterminds Adrian Younge and Ali Shaheed Muhammad teaming up with one of Los Angeles’s most innovative collectives in Katalyst. Based specifically out of the Inglewood area, Katalyst is a 9-piece band that was established back in September 2014, and includes a collaborative group of producers, composers, session musicians, and writers, who continue to be at the forefront of creative music and art currently coming out Southern California.
Youthful virtuosic cosmic drum-keyboard duo DOMi and JD Beck have quickly been one of the most talked about acts this summer, releasing a great new debut album titled NOT TiGHT on Anderson .Paak’s new Apeshit Inc. label, that’s been set-up in partnership of Blue Note Records. This follows four-night sold-out residency this June at the Blue Note Jazz Festival in New York City, and numerous standout performances among the summer’s festival circuit.
Following the release of two outstanding EPs from last year, Ah-Free-Ka and Ja-Maye-Ka, Marc Mac, who is half of the groundbreaking broken beat duo 4hero, continues his exploration into sounds from around the world with a superb new EP, titled Br-Azil-Ah.
Following the release of Brian Jackson’s first solo album in 20 years on BBE Music, simply titled This Is Brian Jackson, the legendary jazz-funk multi-instrumentalist and songwriter gets the remix treatment from two of today’s best producers in Louie Vega and Josh Milan(aka Two Soul Fusion) on the track’s superb second single “Little Orphan Boy”.
With each incredible release, Paul Murphy’s Jazz Room Records has quickly become the source for essential jazz dancefloor reissues. The London-based label has most recently put out a welcomed reissue of the extremely obscure 1977 private-press jazz-funk album from South Florida trio Jazzberry Patch, featuring the late great Mike Longo as a special guest on Fender Rhodes.