Category: FEATURED RELEASES
This was an incredible year for new album releases that spanned a wide range of genres. I even felt at times it was hard to keep track of all the great new music that was being released on weekly basis. Selecting my favorite albums was extremely challenging, yet still very enjoyable. I’m sure in weeks or even days from now, I will realize that I forgotten to include a worthy release, or discover an album that might of slipped by me.
As with just about every year, 2019 featured numerous great tracks from all corners of the globe. More and more it feels that artists are bluring the lines between these things we call “genres”, and I think that’s a good thing. In which was an almost impossible task, I have compiled my favorite 125 tracks from the past twelve months and have dived deeper into the top 25.
With so many incredible reissues in 2019, I decided to break-up this year’s “best of” into two sections, full length albums and singles. Out of all the lists I put together for these year-end posts, both reissue lists were probably the most challenging to compile.
Just as we’ve seen over the past few years, there continues to be many high quality reissues released on an annual basis, even to the point that this has become the main focus for some labels. With prices for original copies of many records continuing to become more and more pricey, the actual need for affordable reissued releases seems to be more an more necessary.
It’s that time of the year again where we spend some time and look back at many of our favorite releases over the past twelve months. To kick things off, we take a look at our top 10 favorite compilations of 2019, those records that often introduce many of us to new/old artists, obscure rarities, and/or explorations into lesser known sounds from all corners of the world.
In what has turned into quite a productive year for Greg Foat, the London-based pianist follows up a number of incredible releases for Edinburgh’s Athens of The North label, including the one of the year’s best albums in The Mage, and released another brilliant full-length to close out the year, titled The Dreaming Jewels.
Bassist and composer Junius Paul has been making a name for himself over the last decade both in Chicago with his jam sessions at the now-shuttered Velvet Lounge, and internationally with his collaborative work with drummer and beat-maker Makaya McCraven. As usual, Chi-town’s International Anthem Recordings continues to have their finger on the pulse, and have just released Paul’s debut album, titled Ism.
One of the best releases in 2018 was Makaya McCraven’s widely collaborative Where We Come From (CHICAGOxLONDON Mixtape), a recording that brought together some of the most forward-thinking musicians and beat makers from both Chicago and London. One of the many standout tracks from that session was London-based producer and multi-instrumentalist Emma-Jean Thackray’s “Too Shy”. Total Refreshment Records and International Anthem have teamed up again to release an extended version on a new twelve-inch single.
This December, London-based independent label Clap City Records will be reissuing the 7inch version of the highly-obscure 1975 jazz-funk classic ‘Farewell To The Welfare’ by Wendell Harrison and the legendary Detroit Tribe collective.
The London-based trio Still Moving featuring saxophonist Nat Philipps, drummer Pike Ogilvy, and keyboardist Sam Bates have just released a brilliant debut self-titled EP on Lanquidity Records.
