Tag: Jazz Funk
The legendary London-based Decca Records continues their superb British Jazz Explosion Series, with two massive additions in trumpeter Harry Beckett‘s 1970 heavy-hitting classic Flare-Up and the groundbreaking large ensemble masterpiece Tales Of The Algonquin led by John Surman and John Warren.
Paul Murphy’s superb label, Jazz Room Records is back at it again, releasing a brilliant 7inch single featuring two excellent dancefloor primed covers by Tokyo’s remarkable jazz-funk trio Nautilus.
Happy New Year! Before we turn the page and look ahead to 2023, let’s spend one more moment in celebrating some of the best music from the past twelve months and dive into some of the best tracks of 2022.
This year, even what feels like more so than in the past, there were many incredible EP releases, especially in jazz (which hasn’t been a common format for the genre). Many of which resulted in some of the overall best releases of 2022.
As with new releases, 2022 was a remarkable year for reissues and previously unreleased recordings. It feels like with every great new release or artists that breaks through on the scene, there are still so many records from the past to still discover, or make more readily available again. I also feel that with each year that goes by, the quality of reissues get’s better and better. The care and work that goes into many of these releases is astonishing.
It’s that time again (hard to believe), where we revisit some of the best releases of the year. In regards of new music, 2022 was one of the best in recent memory. It was admittedly extremely challenging pulling together a top 30 list, as many their were many additional favorites that unfortunately didn’t make the list. If there is time before the month is up, I might go back and extend the list to 40 or 50 releases. As always, I’m sure I missed a few that were just not fully on my radar.
Paul Murphy’s Jazz Room Records “puts a bow” on what has been a remarkable year of releases, with a recent reissue of flautist Eric Ghost’s highly-obscure 1975 psychedelic jazz masterpiece Secret Sauce.
Ever since the group’s 2016 EP Chapter 7, the five-piece Ezra Collective have been at the forefront of the thriving London jazz scene, releasing the highly acclaimed follow-up EP Juan Pablo: The Philosopher (2017), their debut LP You Can’t Steal My Joy (2019) and a few limited singles. The quintet returns with an incredible new full-length on the Brooklyn-based label Partisan Records, titled Where I’m Meant To Be.
Highly influential London-based DJ, broadcaster, and producer Gilles Peterson and pioneering multi-instrumentalist, producer, composer, and bandleader Jean Paul “Bluey” Maunick (Incognito, Light of The World, Freeez) helped lead last year’s Brit-funk revitalization with the release of their remarkable debut LP Aspects, under the alias STR4TA (which was named BeatCaffeine’s Favorite Album of 2021). In much anticipation, they have teamed up again for a follow-up release, titled STR4TASFEAR (as a nod to the groundbreaking British group Atmosfear), that continues to pay homage to the Brit-funk sound.
Continuing with a string of essential releases, Paul Murphy’s Jazz Room Records is releasing an incredible new double-sided 7inch featuring covers of both Azymuth’s 1979 “Jazz Carnival” and 808 State’s 1989 “Pacific 707” by jazz-meets-electronic music Tokyo-based duo Cruisic.
