Tag: Jazz Funk
Following up their breakthrough self-titled debut EP in 2019, the London-based jazz-infused Afrobeat collective KOKOROKO, led by trumpeter and vocalist Sheila Maurice-Grey, returns with a much-anticipated follow-up double A-side 12″ single on Brownswood, featuring two superb tracks in “Baba Ayoola” and “Carry Me Home”.
Once described as “the Quincy Jones of Catford” by Rolling Stone magazine, South London composer, arranger, and trombonist Nathaniel Cross has become a prominent musician among today’s UK jazz scene, performing and recording with artists like Moses Boyd, Solange, Zara McFarlane, Kano, David Murray, LCSM, Swindle, Sons of Kemet, and many others. Stepping out on his own, he has just released a superb debut EP on First World Records, titled The Description Is Not The Described.
London’s Strut Records continues it’s brilliant series of releases exploring the vaults of Jimmy Gray’s now considered legendary Richmond, Virginia based label Black Fire Records with a highly in-demand reissue of Bow To The People by Dayton, Ohio theater collective Theatre West.
Highly innovative New Zealand-born drummer, producer, and beatmaker Myele Manzanza, who now resides in London, has teamed up with a stellar cast of musicians to release a brilliant new EP on DeepMatter Records inspired by the city he lives in, and the challenging times we currently face, titled Crisis & Opportunity Vol. 1.
UK-based label WallenBink has launched a fantastic series called Black Forest 45, focusing on reissuing remastered essential 60s and 70s era jazz selections from the vaults of legendary German label SABA/MPS, in a new never-released-before 7inch format.
Los Angeles-based composer, producer, and pianist John Carroll Kirby, who has made a strong name for himself over the last several years collaborating with everyone from Solange (produced three tracks on A Seat At The Table, and featured on When I Get Home), and Blood Orange, to Frank Ocean, Miley Cyrus and many others. On top of these high-profile collaborative works, Kirby has also released a number of incredible albums on his own via the Stones Throw label, and he returns with arguably his best album to date, titled Septet.
As we move into the warmer months of summer, it’s great to see that many of the record shops that were either closed for over a year and/or only doing online sales are finally opening up again. In my opinion, it doesn’t get much better than a Saturday trip (or any day really) to the local record shop(s). Somewhat similar to last year, this year’s typical annual Record Store Day has been broken up into not just one, but two Saturdays (or what is being referred to as “Drop 1” & “Drop 2”) on June 12th and July 17th.
One can make the argument, that the term “Holy Grail” is sometimes used a bit too loosely, however that certainly isn’t the case when applied to Ron Everett’s 1977 obscure soul jazz masterpiece Glitter Of The City. Originally self-released in 1977 on a shoestring budget, UK’s Jazzman Records has recently reissued the essential recording as a part of it’s ongoing superb Jazzman Holy Grail series.
For the seventh release in what continues to be an absolutely brilliant Jazz Is Dead series, Los Angeles based producers/multi-instrumentalists Adrian Younge and Ali Shaheed Muhammad have teamed up with legendary Brazilian composer and pianist João Donato on a superb new full-length album.
The brand new Belfast, Ireland-based label Sounds Familiar launches it’s “7 Inch Nails” series with two stunning tracks from Broken Beat pioneer and keyboard wiz Kaidi Tatham. This brilliant new release kicks off what will be a string of 7inch singles from the label featuring a number of extraordinary artists.
