Category: DIGGIN’ IN
At times written off by the genre’s purists that the 1970s were a less than remarkable time for jazz, the decade was actually an era of major exploration for many jazz musicians, incorporating elements of funk, soul, rock, and early electronic sounds into their own recordings. This expansion of musical influences and an adaptation of more electric instrumentation helped lead to what some consider as a golden time for what has been coined “jazz-funk.”
Declared by Pitchfork as “the most compelling argument that techno came from Germany,” and ranked the fourth best album of the eighties by FACT, Manuel Göttsching’s 1984 E2-E4 is considered by many to be one of the greatest electronic recordings of our time.
Before Johnny ‘Hammond’ Smith and the legendary producer tag-team of Larry & Fonce Mizell recorded the 1974 jazz-funk masterpiece Gears, the two parties first came together one year earlier to record the often overlooked album Gambler’s Life.
Starting in the mid-1970s, disco flooded nightclubs in Chicago, New York, and Philadelphia. From its soul and Motown roots, disco expanded dance music with complex arrangements and productions: Percussion, strings, horns, and keyboards were often played by a large team of musicians under the direction of a producer.
